No doubt, the first edition is definitely always an original vintage poster.
On the one hand, reprints and reissues are collectible originals too.
On the other hand, reproductions or retro-style posters may be very decorative for your home, but they are never valuable collectibles.
Early original vintage airline posters are usually lithographs in colors, a slow and expensive way to print. Usually the artist designed an original artwork on paper or canvas. This artwork had to be be transferred by a lithographer, he had to draw the image reverse and separated by colors on limestone plates:
"Lithography originally used an image drawn with oil, fat, or wax onto the surface of a smooth, level lithographic limestone plate. The stone was treated with a mixture of acid and gum arabic, etching the portions of the stone that were not protected by the grease-based image. When the stone was subsequently moistened, these etched areas retained water; an oil-based ink could then be applied and would be repelled by the water, sticking only to the original drawing. The ink would finally be transferred to a blank papersheet, producing a printed page. This traditional technique is still used in some fine art printmaking applications." Source: wikipedia
Lithographs in colors show very bold and bright colors. For instance, the extreme deep "Yves Klein Blue" at the background of Savignacs giraffe poster for Air France was realized by using this technique.
A very exclusive look was guaranteed by using metallic-gold spot color, extremely rare in vintage airline posters.
In the late fourties the cheaper and faster offset printing process became common in the United States. Instead of printing a lot of different spot colors, it is possible to print the whole image with four colors only. You can detect the typical cmyk (Cyan - Magenta - Yellow - blacK) dot matrix by using a magnifier.
The disadvantage of this technique is a loss of hue and brilliance of the image. Another problem is the low color fastness – after displayed in daylight for a few months the image is fading.
Sometimes the artists combined offset printing and other techniques (e.g. silkscreen) for special effects.
Exclusive advertising needs exclusive prints. In some European countries posters artists tried a lot of exclusive techniques.
Silkscreen (serigraphy) and linocut are some of these unusual and expensive printing techniques used for travel posters. The color is printed extremely bold on the paper, you can really feel it!
Silkscreen in combination with other techniques was often used to print the text for different languages on the image. In the late fifties, fluorescent colors hit the market and gave some modernist posters a shocking glare.
All these special features (and others like structured paper or varnished surface) you will never get by digitally printed reproductions!
Some artists made first experiments with black und white photographies, which were combined with colorful illustration.
A lot of difficult and complex techniques were developed by the aim to print fast and colorful like photographies.
For example, "Indicolordruck" have been invented in Switzerland. Posters printed with this technique did not show a dot matrix like offset prints, they allow very smooth halftones.
To promote an airline or destination in foreign countries, it was necessary to print a poster in different languages.
The easiest way was to print a poster without text first. (Sometimes one of these pre-production posters you will find for sale. It is not the real thing for an earnest collector, because it is unfinished.) The different foreign text versions were often overprinted in black. Some designers preferred silkscreen technique, because that allows to print bright colors above darker images.
In case of lithographs in colors it was much more complicated. All foreign versions had to be produced for themselves. Please have a look at the detail pictures of the famous Air France poster by Savignac. Compare the flags! For each foreign version they had to be always illustrated again by the lithographers – and sometimes they made mistakes (do you find the differences?)
Very often confused with reproduction (”reprint” is often colloquial used for ”reproduction”, thats a problem...)
Offset prints could be reprinted very easy, because the printing films or plates have been stored. Reprints (commissioned by the airline) are original vintage posters too, usually published one or two years after the first edition.
A common reason for reprinting a poster (with minor modification) was the change of the airline logo or introduction of a slogan.
For instance: In 1963 FCB (Foote, Cone & Belding – TWAs advertising agency from 1956 until 1968) created the well-known "Up, up and away" slogan. A lot of posters were reprinted by using the original colour-separations of the artwork, but an additional triangle with the new slogan appeared in the lower right corner.
Another reason for reprints was the introduction of modern jets. No airline wanted to display oldstyle propeller planes anymore... For instance, in the late fifties United Air Lines decided to delete the DC-7 from Stan Gallis stunning Southern California poster.
Especially some of Davis Kleins most sought after modernist TWA posters (Las Vegas, Los Angeles, New York, San Francisco) exist in two editions too. The first edition shows the Super Constellation, the reprinted poster shows a silhouette of a Boeing 707.
Some posters showing popular destinations were released by the airlines subsequent to their original dates. For instance, Air France – Paris (P. Baudouin) was originally
released in 1947 and reissued in 1962 (right).
The reissue shows a jet instead of a propeller plane and the new Air France logotype with a slogan.
Have a look at the artwork of the reissue: is a bit different, but interesting and valuable too. It was not possible to use the original artwork of Lithographs in colors again – in opposite to offset-prints. After the printing process the artwork was deleted from the surface of the limestone and it was prepared for the next subject. Accordingly it was impossible to reprint a poster.
The same happened to SABENAs Belgian Congo poster – a lithograph in colors too. Marcel Cros illustrated the artwork again, because a new plane (DC-6? instead of DC-4), a relaunched logo and a new slogan had been introduced.
Please have a look at the younger version (on the right) of this TWA London poster. You will detect a Super Constellation with wing tip tanks (instead of the shorter Conny) a relaunched TWA logotype and a new uniform.
Some artists are really good illustrators, but they have never been commissioned by airlines to design posters for them...
The artist Frank McIntosh is well known for the advertising art he produced for the Matson Line‘s cruises to Hawaii. And he designed many striking and colorful covers for Asia magazine which show the influence of the prevailing Art Deco style. He was born in 1901 in Portland Oregon, later he studied stage design and art in New York and San Francisco. In the early 1960s McIntosh had a gallery in Los Angeles dealing in Oriental paintings and accessories. His watercolor illustration shows a Boeing 314 Pan American Clipper just arrived in Hawaii with its ecstatic passengers making their first contact with beautiful natives of the island.
Be careful: The posters in the left column are NOT original vintage airline posters.
They have never been published by an airline!
Kerne Erickson is a well known artist, who designed a lot of retro-style posters in the 1990s and later. Some of his posters are just imitations of existing artwork, combined with original vintage logotypes or fantasy logotypes.
A real collector embarrasses himself with these posters!
The original illustration of the palmtrees in front of the old church was made by Bob Smith in the 1950s. It was published in exactly this poster design by TWA.
Franz Soltesz’s highly collectable TWA poster of a Constellation flying above Manhattan was imitated by Kerne Erickson, too.
Everybody is able to decide by himself if these examples are inspiration or imitation...
Some more fantasy airline posters by Kerne Erickson an their templates.
Very nice to see, but not really collectables.
On the other hand, a reproduction is simply a photographic copy (the original is scanned and printed) of the original poster. Usually reproductions are smaller than original vintage posters, but sometimes you will get large ones too.
A reproduction has little or no value as a collectible, but it could be expensive too. In case of high quality reproductions and lightfast prints you will get highly decorative art for your home. You can choose the size (common sizes are from 17 x 11" up to 36 x 24") and the quality of paper. The best choice for fine art digital prints ist called Giclée, prints on canvas are popular too.
If a reproduction is made by museum, they call it ”museum’s edition”. They have usually original size (one sheet, app. 40 x 25") and look extremely similar to the original poster. Sometimes they are made by old printing techniques. Most of them have an imprint which tells us that the poster is published by the museum.
Be careful: Older reproductions are sometimes offered as "used" posters – don’t mix it up with vintage posters (e.g. years ago KLM and Air France posters have been reproduced in original size).
One warning is clear: If reproductions are offered as "second edition" or "reedition" this is nothing else than fraud!